Resistance investigation Essay Example for Free

Resistance investigation Essay Resistance is the opposition to current and voltage within a given material. George Ohm discovered the concept of resistance in 1826. He stated that the current flowing through a wire is proportional to the potential difference across it as long as the temperature remains constant. The formula to calculate resistance is Resistance (measured in Ohms)= potential difference across a wire (volts) Current through a wire (amps) In this investigation we are going to find out how resistance changes in relationship to when the length of a wire is changed. We will take readings every 10 cm because this should give a substantial variation in the readings and go up to 100 cm because this will give us a sensible set of results to work with. To ensure that the experiment is safe we will have to clear the work area and make sure that it is clean and dry, and keep the current low, in this case two volts. I predict that as the length of the wire increases the resistance will also increase in direct proportion, as there will be more particle collisions in the longer wire. In addition the free electrons in the outer shell have to carry the charge further, which also increases the chances of collision. To make the experiment a fair test we will use 2 volts throughout and include a switch in the circuit, which will enable us to control that the circuit is only on when we are taking readings. It will therefore obey ohms law, as the temperature will remain cool, and the cross sectional area of the wire will also remain the same. We will keep the same apparatus throughout the experiment and will take more than five sets of results to ensure that we have a good statistical average. The only thing that we will change is the length of the wire. The apparatus we will need in the experiment are a power supply, wires, a switch, a 1metre ruler, a voltmeter and an ammeter. Results These are the sets of results that I obtained: Distance (cm) Voltage (v) Current (a) Resistance (ohms). From these results we have found out that as the length of a wire increases so does the voltage and resistance, whereas the current reduces. The data shows that the distance of a wire does have an effect on the resistance through it. This is because as the length of the wire increases the likelihood of collisions between the nucleus of the atom and the electron which carries the charge increases. On the graph the line of best fit shows that that there is a good correlation of the data showing that there is a direct and proportional relationship between the length of a wire and the resistance. This proves that my original prediction correct that the resistance of a wire will increase as the length does. Evaluation The method used for the experiment worked well and we were able to gain the results needed to make a conclusion. The accuracy of the data was on the whole good but there were two odd results. These were anomalies as the resistance was lower on average than the resistance from the reading taken from a 10 cm shorter wire. The method for the investigation was well suited to the experiment. To improve the reliability of the results we could keep the room temperature constant, and be more accurate in measuring the length of the wire. We could also use more accurate voltmeters and ammeters. Due the close position of the points plotted on the graph there is enough accurate information obtained from the results to support the definite conclusion that as the length of the wire increases so does the resistance. To improve the results we could repeat the experiment but take readings at different or more frequent intervals . We could also take more sets of results.

History of Animation

History of Animation Historical Perspective Introduction: This section in my dissertation focuses not on the history of animation per se but on the evolution and progress of animation in films and in particular claymation which is one form of stop-motion animation. The desire to animate is as old as art itself. Animation is a form of movie magic with its origins in art form. The earliest examples are still drawings, found in Palaeolithic cave paintings depicting animals with multiple sets of legs in superimposed positions, that attempted to convey the illusion of movement. While such images came to life through fairy tales and folk lore, it was only during the 19th century -when inventions were made to make motion picture- that animated pictures became a real possibility. A live -action film and an animated film are different because the live -action camera captures a scene moving in real time, automatically freezing into separate still pictures that can then be projected on to a screen. In an animation film, the animator, on the contrary, can not film anything until and unless he/ she creates through drawings(2D animation) or models (3 D animation) or computer imagery every single frame of a film from scratch. While animation is definitely a highly creative medium, it entails time-consuming processes for an animator who should have vision, faith in the concept and creation, abundant patience and capacity for sustained efforts. THE DEVICES: The development of devices from crude form to highly technical gadget has played a key role in evolution of animation over the years. The earliest device to create an image of a moving picture is known as Zoetrope, invented in China around 180 AD. The modern day zoetrope contraption was produced in 1834 by William George Horner and is considered to be the beginning of the animation devices. The device is basically a cylinder with vertical slits around the sides. Around the inside edge of the cylinder there are a series of pictures on the opposite side to the slits. As the cylinder is spun, the user then looks through the slits producing the illusion of motion. Actually, even in present day animation classes for the beginners, the Zoetrope is being used to explain the early concepts of animation. The magic lantern, believed to have originated from China in the 16th century, is the precursor to the modern day projector. It consisted of a translucent oil painting and a simple lamp. When put together in a darkened room, the image would appear larger on a flat surface. The most significant early day animation device was Phenakistoscope (1831) disc, invented simultaneously by the Belgian Joseph Plateau and the Austrian Simon von Stampfer. The photographic sequence experiments done by English-born American Eadweard Muybridge in 1872, using 24 still cameras set up along side horse race track, have been of help to later generation of animators. The animated film took a major step thanks to a sophisticated version of Zoetrope, known as Praxinoscope, invented by French scientist Charles-Émile Reynaud in 1877, a painter of lantern-slides. It used the same basic mechanism of a strip of images placed on the inside of a spinning cylinder, but instead of viewing it through slits, it was viewed in a series of small, stationary mirrors around the inside of the cylinder, so that the animation would stay in place, and provide a clearer image and better quality. After fifteen years of hard work, Reynaud also developed a larger version of the praxinoscope, an animation system using loops of 12 pictures, that could be projected onto a screen, called the Thà ©Ãƒ ¢tre Optique, first demonstrated at the Musee Grevin, Paris in 1892, comprising 500 pictures on a transparent strip of gelatin. This was the first animation film entitled ‘Pantomimes Lumineuses which lasted up to fifteen minutes. Reynauds films were simple tales mainly concerned with love and rivalry. Reynaud used drawings rather than photographic images, and every subsequent animated film using line animation -from Felix the Cat and Micky Mouse to the Rugrats and the Simpsons -is a successor to the moving pictures that he created. Flip Book, patented in 1868 by a John Barns Linnet, was another development that brought us closer to modern animation. The Flip Book creates the illusion of motion through a set of sequential pictures flipped at a high speed. The Mutoscope (1894) is basically a flip book in a box with a crank handle to flip the pages. 1919 marked the invention of rotoscope. While Emile Reynaud, showed the first animated film using his Theatre Optique system in 1982, three years later, two French brothers, Auguste and Louis Lumiere, presented the first authentic demonstration of what we now think of as cinema. Lumiere Brothers characters were images of real people and hence overshadowed the Emile Reynauds presentations of moving drawings. Humorous Phases of Funny Faces made by J. Stuart Blackton in 1906, featuring a cartoonist drawing faces on a chalkboard, and the faces apparently coming to life, can be termed as the first animated work on standard picture film. This film was released by Vitagraph. Two years later, the French director Émile Cohl (also called Émile Courtet), created Fantasmagorie which was screened for the first time on August 17, 1908 at Theatre du Gymnase in Paris. It was Émile Cohl who relocated to New York City in 1912, spread its technique in the US. Though these animations were rudimentary, ‘Gertie the Dinosaur in 1914 and ‘Koko the Clown in 1919 by Max Fleischer, considered as classics, stepped up the pace of animation films in silent movie era in USA. The Beautiful Lukanida released in 1912 and conceived by the Russian-born director Wladyslaw Starewicz (later known as Ladislas Starevich) gets the honour of being the first puppet animation film. Neither this film, nor the first animated feature film -El Apà ³stol, made in 1917 by Quirino Cristiani from Argentina as well as his two other animated feature films, including 1931s Peludopolis, {the first to use synchronized sound}, have survived the present day. The silhouette-animated Adventures of Prince Achmed (1926) directed by German Lotte Reiniger and French/Hungarian Berthold Bartosch is one of the earliest-surviving animated feature. This film used colour-tinted scenes, perhaps for the first time. The list of other animated films during the silent era included the following films: ‘Gertie the Dinosaur made by Winsor Mccay in 1914, ‘The Sinking of the Lusitania in 1918, ‘Dreams of the Rarebit Fiend in 1921 by John Randolph Bray who rediscovered some of McCays techniques, ‘The Dinosaur and the Missing Link by Willis OBrien in 1915, the first cartoon super star ‘ Felix the Cat in 1919 and ‘The Lost World , a stop motion marvel made in 1925. This was followed by the famous ‘Aesops Film Fables during 1921-1929 created by Paul Terry, released by Van Beuren Studios. Initially, Walt Disney also made silent cartoons like ‘Laugh-o-Grams, ‘Alice Comedies, ‘Oswald the Lucky Rabbit and ‘Mickey Mouse. Other significant silent era series were ‘ Heeza Liar, ‘Mutt and Jeff, ‘Krazy Kat, ‘Bobby Bumps etc. The notable production houses during this period were: Barre Studio, Bray Productions, Barre-Bowers Studio {The Bray Studios was the first and foremost cartoon studio, housed in New York City-} Many budding cartoonists like Paul Terry of Mighty Mouse fame, Max Fleischer of Betty Boop fame, and Walter Lantz of Woody Woodpecker fame, all statrted their career in this studio.The cartoon studio was based in Circa during 1915-1928. ‘Farmer Alfalfa by Paul Terry and ‘Bobby Bumps by Earl Hurd were well known cartoons produced by the Bray studios. Fleischer Studios, set up by Max and Dave Fleischer created the Koko the Clown, Out of the Inkwell, and Sound Car-Tunes series. In addition, this era also saw distributors of animated films such as Margaret J. Winkler, Charles Mintz, Educational Pictures, Red Seal Pictures, and Bijou Films. Although 1930s witnessed a few more animated feature films, Walt Disneys Snow White and the Seven Dwarfs released in 1937 is deemed to be the first animated feature film with sound effects. It could be because Snow White became successful and well-known within the English-speaking world. The first animation to use the full, three-color Technicolor method was Flowers and Trees (1932) made by Disney Studios which won an academy award for this work. We are all aware how Walt Disney dominated throughout the 1930s, through revolutionary cartoons ‘Silly Symphonies, ‘Mickey Mouse, and Donald Duck. The 1930s, termed as the Golden Era in USA animation also witnessed the emergence of big studios making animation films like Warner Bros, MGM and The Fleischer Studios with their creations like Betty Boop and Popeye cartoons. Following the golden Age of American animation (1920s through 1950s), animation evolved at a more hectic pace during the television era i.e. 1950s through 1980s. During this period, the theatrical cartoons and feature films declined to some extent. Hanna-Barbara productions did dominate this phase with their TV animated series. Then we saw the emergence of morning cartoons on week ends, adult animation in the 70s, and a slew of commercial cartoons in the 1980s. The present day animation (1980s onwards) boasts of mind boggling creations most of which are futuristic in concept such as ‘Who Framed Roger Rabbit, the ‘Disney Renaissance and Steven Spielbergs collaborations with Warner Bros like ET, Jurasic Park etc. The Simpsons is one of the most successful series that revived the adult-oriented animation. The other series of this genre is Cartoons Networks late night animation show ‘Adult Swim. Many studios all over the world have joined the bandwagon of making animation films for world wide distribution. The rise of CGI, increasing popularity of Nickelodeon, Cartoon Network, and the Anime explosion which is mainstream version of Japanese animation represent the current scenario in animation. HISTORY OF STOP -MOTION CLAYMATION: Stop motion and cel animation are two basic techniques in traditional animation. Stop motion animation, is used for many animation productions using physical objects rather than images of people, as with traditional animation. An object will be photographed, moved slightly, and then photographed again. When the pictures are played back in normal speed the object will appear to move by itself. Clay animation is one the forms of stop-motion animation. It is the animation of clay models made preferably of plasticine clay. Producing stop-motion animation using clay /plasticine clay is a time consuming and labour intensive process. That is because, to produce a 30 minute stop motion animation movie using clay models, approximately 21,600 times one has to stop to change the figures for the frames. In the case of feature-length films, in addition to clay, rubber silicone and resin-cast components are used to create models. The term Claymation is a registered trade mark in USA, registered by Will Vinton, the greatest pioneer in clay animation. Though foamation, meaning use of foam-rubber process, invented by Will Vinton has found a place in stop motion animation films, it is clay which is the preferred material to bring about aesthetic effect as well. A variant to claymation is the â€Å"clay melting† used in Will Vintons film ‘Closed Mondays. While there are several forms of clay animation, the notable few are: â€Å"Freeform† claymation represents a process wherein the shape of the clay changes significantly as the animation progresses, as exemplified in the films of Eliot Noyes Jr and Ivan Stang. â€Å"Character† Clay animation maintains a recognisable character throughout the shot as in Art Clokeys and Will Vintons works. The â€Å" Strata -cut animation† entails long bread like loaf of clay packed with varying figures/ images, which is sliced into thin sheets with the camera taking a frame of the end of loaf for each cut as a result of which one could eventually see the movements of internal images within. This technique was pioneered by the German animator Oskar Fischinger during 1920s and 1930s subsequently upgraded by David Daniels in mid-90s as seen in his film Buzz Box. Clay painting is termed as another form of claymation. This process requires clay to be placed on a flat surface and moved like wet oil paints. This technique results in a seamless merger of stop motion and traditional flat animation. Early films using stop-motion were the clasic ‘Chicken Run and ‘Wallace and Gromit, and later ‘The Nightmare Before Christmas and ‘James and the Giant Peach. Sometimes even objects are used, such as with the films of Jan Ã…  vankmajer. Stop motion animation was also commonly used for special effects work in many live-action films, such as the 1933 version of ‘King Kong and ‘The 7th Voyage of Sinbad. It was in 1920s, though eight years earlier Edison Manufacturing released a clay animated trick film called ‘The Sculptors Welsh Rarebit Dream, the clay animation films using either cels or the slash system became the dominant mode in animation film production. Although the cel method was preferred for cartoon films by the studios, clay animation was the medium in the well known film called ‘Modelling produced by Fleischer Studio in 1921. Joan Gratz, won academy nomination for her clay animation films Creation (1980) and won the Oscar for yet another film ‘Mona Lisa descending a Stair Case made in 1982. Craig Barlett, another Vinton animator was known for variation in clay animation used in his series of short films ‘Arnold in the mid 90s. Charles Bowers a comedian with great talent in animation made many bizarre films in the 1920s combining stop-motion animation and comedy. Academy Award winning short films such as ‘ Closed Mondays made by Will Vinton and Bob Gardiner in 1974, ‘The Sand Castle'(1977) and ‘Creature Comforts; , produced by Aardman Studios in 1989 and all four Wallace Gromit films created by Nick Park of Arrdman Animation and last but the least ‘The Presentators again filmed by Aardman Animation are typical claymation films. Clay animation has been creatively employed in several computer games as well viz. The Neverhood, Clay Fighter, Patypus, Primal Rage. Besides TV commercials such as ‘Chevron Cars, childrens shows in the electronic media in the recent times are dominated by clay animation techniques which are often seen on Cartoon Network. Computer graphic image of clay animation is presented in a film called ‘ Flushed Away. COMPUTER -GENERATED IMAGERY {CGI } What has caused a real revolution in animation industry is the Computer -generated imagery- abbreviated as CGI. It is significantly different from traditional animation because the drawings (known as 2D animation) in traditional animation gave way to 3D Modeling which is the virtual version of stop-motion. CGI combines these two forms of animation through computer aided animation but on 2D Computer drawing. CGI is as tedious as the traditional animation and many of the underlying principles of traditional animation are used albeit through computer aided software programmes. While the playback feature creating an illusion is true of all moving images (from zoetrope to films to videogames), the techniques involved in creating CGI are generally removed from a frame-by-frame process. Most of the characters employed in CGI films are based on animal characters, monsters, machines or cartoon-like humans. The latest rend is to create realistic-looking humans. The notable animation films of t his genre are Films are ‘Final Fantasy: The Spirits Within in 2001, ‘Final Fantasy: Advent Children in 2005, ‘The Polar Express in 2004, and ‘Beowulf in 2007. The constraint in this method of animation is to create the nuances and details of a living person if one has to make a realistic CG character; in particular, to synchronise the movement of the hair and clothing with the animated human character. CEL-SHADED ANIMATION Cel shading is a type of rendering, known as non photorealistic rendering, to make computer graphics appear to be hand-drawn. A recent development and a comples process, this is generally applied to mimic the style of a comic book or cartoon. The console video games use cel- shaded animation in addition to computer graphics. The material used in cel- shaded animation is the clear sheets of acetate , called cels. Some animators consider Cel -shaded animation as â€Å"2.5 D form of animation†, a via media between 2D and 3D animation. It was only the console video games which shows the true real-time cel-shading as seen in Segas Jet Set Radio launched in 2000 for their Dreamcast console. This style of animation was used in Freedom Project in 2006. ANIMATION IN INDIA: As in the western countries, the roots of animation in India are in Indian Cinema. In the early 20s, Dadasaheb Phalke, arguably one of the founders of Indian Cinema, {in whose name a prestigious award has been instituted to honour every year outstanding contribution in the field of cinema}, match sticks and a stop-motion camera to create a short film which was unfortunately not distributed for public viewing. After a lot of struggle, he succeeded in making a stop motion film ‘The Growth of A Pea Plant in 1912, marking the beginning of animation in films in India. However, the first animation film ever released in a theater was ‘ The Pea Brothers produced by New Theatres Limited, and directed by Gunamoy Banerjee, and released on June 23, 1934. It took nearly seventeen years to produce the next animation film called ‘Jumbo The Fox coming from Ranjit Movietone and released in 1951. In the same year, another animation from New Theatres, ‘Michke Potash, directed by Bhaktaram Mitra was released. The Ministry of Information and Broadcasting, Government of India set up a Cartoon Film Unit as part of its Filns Division to promote animation films. This unit produced in 1956 ‘Radha and Krishna, a 22 minute film based on cel animation, directed by J.S. Bhownagary. It is believed that camera movements over the miniature paintings of Indian art were employed to create the animation. This film won prestigious awards in International Film Festival held in Berlin. Films Division had a team of animators like Kantilal Rathore, Pramod Pati, G.K. Godbole, and V.G. Samant, along with Ram Mohan, Bhimsain, Satam, Suresh Nayek. A film which impacted animation in India was ‘Kalpana, made in 1948, directed by the legendary dance maestro Uday Shankar, although it was not an animation film. Because, the use of feet movement, film language with rhythm and melody skillfully synchronized appealed to all the film makers including Satyajit Ray Mrinal Sen, do yens of Indian Cinema. Clair Weeks, an animator from the Disney Studio was brought to India by The Films Division, with funding support from UNESCO and the US Technical Aid Programme, to train the animators in the Division. Those who were benefited were Ram Mohan, Bhimsain, Satam, Ezra Mir and Pramod Pati. In 1960, one of the earliest pro-social animations made by the Films Division was ‘A Great Problem, covering family planning issues was released and received international appreciation for its maker G.K. Gokhale. The first animation film with music was ‘Chaos in 1969. As the animators from the Films Division left and started their own ventures, there was a growth in the studios making animation films in India such Climb Films, Rauko Laboratories owned by Satyajit Ray and Mrinal Sen, and the Prasads Studios in the south. Others like Gimmicks and Pictoreel Facet, opened in Bombay, but have not survived till the present day. It was in 1992 when the Film Festival being organized every year by the Films Division was renamed as the International Film Festival for Documentary, Short and Animation Films, recognizing the growing importance of animation in India. A special section called World Animation in this festival screened the works of international creators like John Halas, Ishu Patel, Osamu Tezuku, Jiri Brdecka, Jiri Trnka. Ishu Patel is one of the well known animators of India who is respected abroad as well. Icerocket Equally important is the contribution made to animation films by the Childrens Film Society of India, set up in 1955 by the Indian Government to promote childrens films. CFSI has produced a huge number of animation films such as ‘Jaise Ko Taisa by Madhab Kunte in 1988, ‘Karuna Ki Vijay by K.S. Bansod in 1985, ‘Lav Kush by K.A. Abbas in 1973, ‘Adventures Of A Sugar Doll in 1966 by Kantilal Rathod, and ‘As You Like It by Sukumar Pillay in 1965. Most of the present day animators of repute have worked on films made by CFSI. Along with film making, the Government of India sought to develop animation teaching in India and accordingly established an animation department in early 70s at the National Institute Of Design which has become the Bedrock Of Animation teaching in India. In addition to teaching traditional and computer aided animation, NID has produced a large number of animation films. ‘Swimmy , a cut out animation film made by Leo Lionni a visiting faculty at NID is till date the best cut out animation film. Other notable films which came out of the NID studios were ‘Cirrus Skies and ‘Patang made by Vinita Desai, ‘Drawing Drawing made jointly by Vinita Desai and Nina Sabnani who also won the international acclaim for her feminist animation film ‘Shubh Vivah dealing with dowry system in this country, using the traditional Rajasthani Marubeni style of painting. The most noteworthy animation film made through NID by the young Prakash Murthy was ‘ Jungle King , base d on Gujarati folklores which received good reviews in the International film festivals. He also made ‘The Square On The Hypotenuse (1995), ‘The Progress Report (1994) and ‘The Protagonist (1988). Shoma Banerje Kak has been credited with making a serial on India called ‘Pradhakshina using cel animation. Other young animators include : Shilpa Ranade, who made Monis Dying who along with Asha Datta, a dynamic producer, has set up Multik Productions. Vinay Rai has made films like Keep Your City Clean, The Drummer nd Animated Bhangra, which was screened at Hiroshimas Indian showcase. Pravin Thakur who created The Brave Bird, and The Louse Story. Neeraj Sahai and Pallvi Sahai with their films like A Monkey And Two Crocodiles and The Big Run. Aman Bajaj has produced films like Khel Khel Mein, Alphabet A and Chikoo And Angola . Ajit Rao, who worked with Ram Mohan Biographics as one of the leading animation designers there, and taught in University of California is teaching in Toonz Animation Studio in India. StumbleUpon Propeller Reddit Magnoliacom Newsvine Furl  · Facebook  · Google  · Yahoo  · Technorati  · Icerocket

Life, Death, and Frankenstein Essay -- Frankenstein Essays

Life, Death, and Frankenstein Since I spent last weekend in Vancouver attending the funeral of a beloved aunt who died on Good Friday, you could say that I've been pondering a lot about death and dying lately. It didn't help either that I chose to bring my copy of Mary Shelley's Frankenstein with me to read on the plane rides there and back, seeing as this story deals with the creation of a new form of life and the deaths that result from it. Being in this rather morbid frame of mind, I decided for this commentary just to take a closer examination of life and death as contained within the kind of gothic narrative of this early science-fiction horror story. It's almost like a Yin-Yang pairing between the two: Victor controls the ability to create Life (an ability that is usually looked on as being feminine) through his scientific and medical knowledge, and the Creature controls the ability to create Death (an ability usually looked on as being masculine) through his incredible strength and physical abilities. But although the Yin-Yang of Taoist thought brings harmony to the universe, this pairing of light and dark brings nothing but destruction to those it touches. So, in Frankenstein, I suppose you could divide the death into two different categories, both centered around Victor: Life from Death, and Death from Life. "To examine the causes of life," Victor tells us through Captain Walton, "we must first have recourse to death." And so he does. After Victor discovers the secret to creating life (what it is we are never told, but if you're inclined to believe the various cinematic treatments of the story, it seems to involve lightening storms and complicated machines), he decides to put this to use and see if he can play... ...ankenberry Cereal available for sale, with cartoonish pictures of Boris Karloff smiling on the front. While they may hold opposing powers of Life and Death respectively, in the end, it is as though neither of these two characters is left with any life between them. Everyone Victor has loved is dead because of the attacks inflicted by his creation. The Creature is not accepted by society because of the appearance given to him by his creator. Neither of them having anything left to live for; they engage in a chase up to the high Arctic where the Creature and the body of his creator disappear into the night. With each of them trying to out-manoeuvre the other, each destroys what his opposite desires the most. In this Life from Death, nothing can lead a true existence. Works Cited: Shelley, Mary. Frankenstein (1818 ed.). New York: W. W. Norton & Company, 1996.

British Diplomacy in Palestine Essay -- Palestinians

I believe that British diplomacy in Palestine was consistently indecisive and hypocritical but at the same time the British wanted to keep their hands in Palestine’s economy and goods. The reasoning behind this statement is because of the events that played out during the Hussein-McMahon correspondence, the Sykes-Picot agreement, and the Balfour declaration. First, the Hussein-McMahon correspondence was a long-drawn-out exchange of letters between the Sharif of Mecca Hussein bin Ali and British High Commissioner Sir Henry McMahon dealing with the future political status of the Ottoman Empire. The Arab’s were planning on revolting against the Ottoman Empire because of the promise that after the war was over Britain would recognize the independence of the Arab areas of the Ottoman Empire now known as Syria, Iraq, Jordan, Israel, the West Bank and Gaza, and Saudi Arabia. The British encouraged the revolt against the Ottoman Empire because they were allies with the Germans, during World War I. The British also knew that if the Arab’s would get into World War I and if they could overthrow the Ottoman Empire the British would be able to occupy key positions that could give them the advantage over the Germans in the war. Unfortunately, after the war had ended, McMahon and Hussein could not agree on what areas of the territory to r ecognize the independence of the Arab areas that Hussein had wanted. For a lack of better words this made the relationship between the Arab leader, Hussein bin Ali, and the British High Commissioner Sir Henry McMahon and their people very untrusting of each other and extremely tense. The Second thing that put a lot of tension on the relationship between the Arabs and the British was the Sykes-Picot agreement... ...ing colonizers at just the moment when other Europeans had given up on the idea?† That being said, I believe this statement effectively paraphrases the source of the tension between Jews and Arab opponents of the creation of the state of Israel. Works Cited Fromkin, David (1989). A Peace to End All Peace: The Fall of the Ottoman Empire and the Creation of the Modern Middle East. New York: Owl. pp. 286, 288. ISBN 0-8050-6884-8. Peter Mansfield, British Empire magazine, Time-Life Books, no 75, p.2078 Balfour, Arthur J. "Balfour Declaration of 1917." Letter to Foreign Office. 2 Nov. 1917. MS. Huneidi, Sahar. A Broken Trust: Herbert Samuel, Zionism and the Palestinians 1920-1925. London: I.B. Tauris, 2001. Print. "Quotes About Israeli Palestinian Conflict." (19 Quotes). Web. 10 Mar. 2012. .

Abortions Pros and Cons Essay -- Abortion Reasearch Papers

  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Nowadays, in this world, there are a lot of problems that can make tremendous conflicts for human beings. They are very complicated and bring a lot of argument and nobody knows what the exact answer is. They also have pros and cons. One of the most complex problems is abortion. This is due to moral and ethical values which we all have. The majority of us are Christians or are brought up in that kind of ambiance which means that as small children we were taught values that are based on the bible such as that famous phrase â€Å"Thou shall not kill†. This phrase relates to this topic because an abortion is the murder of a human being.   Ã‚  Ã‚  Ã‚  Ã‚  A 52% of women getting abortions performed on them are younger than 25 years old and 19% are teenagers. The abortion rate is highest for those women aged 18 to 19 (56 per 1,000 in 1992 pregnancy centers.org).the reasons for this alarming rate are various and vary from person to person. But the most common decision to have an abortion is to postpone childbearing. This decision is mostly picked by the older group of women in this statistic. Another alarming fact is that a percentage of women are been pressured into abortion. Either by peers or by them realizing that they could no longer do the things they did before they became pregnant and that is when they encounter a struggle with their values. Since there is also a considerate percentage of teenage girls having abortions they are at high risk for developing serious emotional and psychological problems following abortion. Such as the impact abortion can have on a minor's emotional health, physical health, fertili ty, and future pregnancies. All these factors can play an important role in the future of that teenager. All of this wouldn’t have been possible without the Roe v. Wade case which in 1973, the Supreme Court decided the case of Roe v. Wade, and made abortion legal for the first time in the United States. This decision allowed women the choice to decide if they are going to terminate a pregnancy, and it allowed women the right to get a safe and legal abortion. From 1880 to 1973 abortions were illegal, and many women were having illegal and very unsafe abortions-often causing permanent damage to their reproductive organs or sometimes even death from i bleeding or infections. Since the decision was handed down by the Supreme Court, women's access to abortion ha... ...); forbidding of abortions for certain reasons(law.com/abortion laws)   Ã‚  Ã‚  Ã‚  Ã‚  Abortion is a significant issue in our life because it might happen to anybody, even to our relatives . We see in just one problem, abortion, there are a lot of pros and cons. There is still no conclusion because both sides of the argument be can be seen from many points of view. If you are one who supports Pro-life or Pro-choice group, you cannot judge if the other group has a different way of thinking although we still have a tendency to do this . People cannot judge Pro-life people as a people who have no respect for human feeling because they would not allow a woman who had been raped to have an abortion. On the other hand people cannot say that Pro-choice is a better group because they are more aware of human needs. People will never know the feelings of women who have had an abortion unless they are the ones that are facing the abortion decision. To face this problem, people need to spend their time on the main points of each group to think and to weigh both sides to make the best decision and fro there go with what best suits your style of thinking or values after all the choice is yours.   Ã‚  Ã‚  Ã‚  Ã‚   Abortions Pros and Cons Essay -- Abortion Reasearch Papers   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Nowadays, in this world, there are a lot of problems that can make tremendous conflicts for human beings. They are very complicated and bring a lot of argument and nobody knows what the exact answer is. They also have pros and cons. One of the most complex problems is abortion. This is due to moral and ethical values which we all have. The majority of us are Christians or are brought up in that kind of ambiance which means that as small children we were taught values that are based on the bible such as that famous phrase â€Å"Thou shall not kill†. This phrase relates to this topic because an abortion is the murder of a human being.   Ã‚  Ã‚  Ã‚  Ã‚  A 52% of women getting abortions performed on them are younger than 25 years old and 19% are teenagers. The abortion rate is highest for those women aged 18 to 19 (56 per 1,000 in 1992 pregnancy centers.org).the reasons for this alarming rate are various and vary from person to person. But the most common decision to have an abortion is to postpone childbearing. This decision is mostly picked by the older group of women in this statistic. Another alarming fact is that a percentage of women are been pressured into abortion. Either by peers or by them realizing that they could no longer do the things they did before they became pregnant and that is when they encounter a struggle with their values. Since there is also a considerate percentage of teenage girls having abortions they are at high risk for developing serious emotional and psychological problems following abortion. Such as the impact abortion can have on a minor's emotional health, physical health, fertili ty, and future pregnancies. All these factors can play an important role in the future of that teenager. All of this wouldn’t have been possible without the Roe v. Wade case which in 1973, the Supreme Court decided the case of Roe v. Wade, and made abortion legal for the first time in the United States. This decision allowed women the choice to decide if they are going to terminate a pregnancy, and it allowed women the right to get a safe and legal abortion. From 1880 to 1973 abortions were illegal, and many women were having illegal and very unsafe abortions-often causing permanent damage to their reproductive organs or sometimes even death from i bleeding or infections. Since the decision was handed down by the Supreme Court, women's access to abortion ha... ...); forbidding of abortions for certain reasons(law.com/abortion laws)   Ã‚  Ã‚  Ã‚  Ã‚  Abortion is a significant issue in our life because it might happen to anybody, even to our relatives . We see in just one problem, abortion, there are a lot of pros and cons. There is still no conclusion because both sides of the argument be can be seen from many points of view. If you are one who supports Pro-life or Pro-choice group, you cannot judge if the other group has a different way of thinking although we still have a tendency to do this . People cannot judge Pro-life people as a people who have no respect for human feeling because they would not allow a woman who had been raped to have an abortion. On the other hand people cannot say that Pro-choice is a better group because they are more aware of human needs. People will never know the feelings of women who have had an abortion unless they are the ones that are facing the abortion decision. To face this problem, people need to spend their time on the main points of each group to think and to weigh both sides to make the best decision and fro there go with what best suits your style of thinking or values after all the choice is yours.   Ã‚  Ã‚  Ã‚  Ã‚  

History of Musical Films Essay

By 1928, Hollywood was invaded by sound theater. Silent films made an honorable exit. Vaudeville was also being wiped out. It signaled a phenomenon Tinseltown was not quite prepared for. It was the time of sound facilities and infrastructures. Later on Broadway composers were hired to write screen musicals (â€Å"History of Musical Film†, 2004). The first picture to make a transition from silent film to sound was Warner Bros. ’ 1927 The Jazz Singer starring Al Jolson who mostly did the singing in the movie (â€Å"Musical Film†, 2006). One MGM musical hit opened the doors to the musical film genre. This was the 1929 Broadway Melody with a score by Nacio Herb Brown and Arthur Freed. The story was about two sisters fighting over their love of a song and dance man. It cost $379,000. 00 and grossed for $1. 6 million in its first release. Its title tune is â€Å"You Were Meant for Me. † It was the first sound film to win an Academy Award for Best Picture. MGM’s production chief Irving Thalberg was credited for bringing in a string of musical hits since Broadway Melody. (â€Å"History of Musical Film 1927-1930 Part II†, 2004). Love Parade from Paramount followed on the same year by silent screen director Ernst Lubitch. It is a lighthearted operetta inspired by Broadway to fit the screen starring soprano Jean Macdonald as a young royalty and Maurice Chevalier as the French playboy diplomat. (â€Å"History of Musical Film 1927-1930 Part II†, 2004). The 1930s, 1940s, and 1950s were considered the golden age of musical films. Following are some of the popular musical films: Hollywood Revue of 1929 with Joan Crawford from MGM, Cecil B. Demille’s Madam Satan (1930). 932 mid-Depression saw the making of Love Me Tonight, a collaboration of Richard Rogers, Lorenz Hart, and director Rouben Mamoulian. Rogers and Hart continued with Hallelujah, I’m a Bum (1933) with Al Jolson. (â€Å"History of Musical Film 1930s: Part I†, 2003). Forty Second Street by dance Broadway director Busby Berkeley choreographed the dance sequences while composer Harry Warren and lyricist Al Dublin created the score. It was a million dollar hit for a $400,000 production. It was followed by Footlight Parade (1933), The Gold Diggers (1933) and Hollywood Hotel (1937). â€Å"History of Musical Film 1930s Part II† 2004). Fred Astaire and Ginger Rogers entered the musical scene in 1933 through Flying Down to Rio, The Gay Divorcee (1934), Top Hat (1935) with a score by Irving Berlin. It was also the time of Shirley Temple in movies such as Stand Up and Cheer (1934), The Little Colonel (1935), among others. Disney produced Fantasia (1940). MGM revived its musical genre with the release of The Merry Widow (1934) (â€Å"History of Musical Film 1930s Part IV† 2004). The 1940s saw Warner Brothers’ Yankee Doodle Dandy (1942) with James Cagney in his Oscar-winning performance. Then independent producer Samuel Goldwyn found Danny Kaye and made Up in Arms (1944, Wonder Man (1945), among others. It was also the time of Bing Crosby (Road Series, Going My Way, Holiday Inn) and Bob Hope (â€Å"History of Musical Film Screen 1940s: Part I† 2003). Judy Garland starred in Little Nellie Kelly (1940), Ziegfeld Girl (1941), Meet Me in St. Louis (1944) directed by Vincente Minneli, her future husband. She appeared in sixteen MGM musicals. Gene Kelley also was a big MGM star in musical movies like For Me and My Gal (1942), On the Town (1949), among others (â€Å"History of Musical Film 1940s Part III† 2004). The 1950s was the decline of the musical film genre and the emergence of television. Some of the musicals produced from 20th Century Fox were Richard Rodgers & Oscar Hammerstein II’s. Oklahoma (1955), Carousel (1956), King and I (1956). South Pacific (1958). Warner Brothers released some Doris Day films, Love Me or Leave Me (1955), The Pajama Game (1957). Paramount produced What Christmas (1954) while Walt Disney released musical animations such as Cinderella, Alice in Wonderland, Peter Pan, Sleeping Beauty. MGM released Kiss Me Kate (1953) and High Society (1956) (â€Å"History of Musical Film Screen 1950s†, 2003).

Vactions on the Beach vs. the Mountain

Vacations at the Beach Vs. Mountains People are always looking forward to their family vacation time. There are many options where to choose. But, I think that the two most common places people choose for taking a vacation are the beaches, and the mountains. Both places offer a variety of fun activities. Vacation at the mountains and at the beaches is totally different from each other, regarding climate, types of activities, and the location of beaches and mountains. Climate is always important in order to enjoy vacation.If a person dislikes cold weather, he or she might have a hard time in the mountains. The cold climate in the mountains is the first obstacle people have to overcome to have a great time. As it may be true, the warm climate is one of the most important features that the beach has to offer. Sun and fun are two words that describe the beach. The temperature in those places is mostly always hot and humid. Climate plays a big role in choosing the next family vacation. Th e variety and types of activities in the mountains and beaches differ as well.Even more as the climates are different that also makes the activities they both offer different as well. In contrast with the mountains, some activities a person can enjoy at the beach would be swimming, playing volley ball, snorkeling, surfing, and boating. On the other hand, a vacation at the mountains offers a wide variety of activates, like snowboarding, skiing, mountain climbing, and hiking are some of the activities people can enjoy when going to the mountains. Location also plays a big difference in a vacation, at the beach or in the mountains.The regions that have mountains are where people can go to have a great vacation. In addition Whistler, Canada is a city located in North America and contains many mountain vacation sites people from all around the world travel there and plan their vacation. Nevertheless, in most coastal cities there is night clubs, and restaurants where people can dance and have fun throughout the night. Mexico offers many amazing coastal cities to visit. Acapulco, Puerto Vallarta, and Cancun are the three of the most beautiful and famous beaches in the North America.It really doesn’t matter what place a person decides to choose. Indeed a person can have just as much fun experiencing ether one. People often make a decision depending on one of the tree options to plan their vacation. Depending on that and what the person likes is what he or she will choose. I enjoy the beach just as much as the mountains. The mountain offers me a place to take a risk and enjoy the slopes. But the contrast in both the mountains and the beach is the climate, activities, and the location.